"Sergio Leone Suite: Ecstasy of Gold from "The Good, the Bad, and the Ugly"" by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta was released on 2004. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Yo-Yo Ma Plays Ennio Morricone (Remastered) by Ennio Morricone, Yo-Yo Ma. The song's track number on the album is #12 out of 19 tracks. In terms of popularity, Sergio Leone Suite: Ecstasy of Gold from "The Good, the Bad, and the Ugly" is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sergio Leone Suite: Ecstasy of Gold from "The Good, the Bad, and the Ugly" by Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sergio Leone Suite: Ecstasy of Gold from "The Good, the Bad, and the Ugly" being at 96 テンポ, the half-time would be 48 テンポ with a double-time of 192 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Young Doctors Notebook | Stephen Warbeck | D Minor | 1 | 7A | 136 BPM | ||
Banquet | Yann Tiersen | E Minor | 4 | 9A | 117 BPM | ||
III. Oxford, Coitus Musicalis - Victoria's Departure | John Corigliano, Esa-Pekka Salonen | E Major | 0 | 12B | 84 BPM | ||
Claudia's Theme - Version Four | Lennie Niehaus, Clint Eastwood | F♯ Minor | 1 | 11A | 104 BPM | ||
A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
Chin-Chin-Chidori | Hidemaro Konoe, Yo-Yo Ma, Michio Mamiya | G Minor | 1 | 6A | 80 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 0 | 9B | 118 BPM | ||
Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme | Yo-Yo Ma, John Williams, Chicago Symphony Orchestra | G Minor | 1 | 6A | 89 BPM | ||
Love Theme, Godfather Waltz (From "The Godfather") | John Williams | D Minor | 1 | 7A | 83 BPM |