"Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme" by Yo-Yo Ma, John Williams, Chicago Symphony Orchestra was released on 2013. With this song being about 5 minutes long, at 4:35, "Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme" by Yo-Yo Ma, John Williams, Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Williams's "John Williams: The Great Movie Soundtracks" album is number 12 out of 58. Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme by Yo-Yo Ma, John Williams, Chicago Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lawrence of Arabia- Overture | Maurice Jarre, London Symphony Orchestra, John Williams | G Major | 3 | 9B | 123 BPM | ||
The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
Moving In | George Fenton | D♭ Minor | 1 | 12A | 118 BPM | ||
The Funeral | Javier Navarrete | D Minor | 2 | 7A | 102 BPM | ||
The Planets, op.32: 4. Jupiter, The Bringer Of Jollity | Gustav Holst, Boston Pops Orchestra, John Williams | F Major | 2 | 7B | 132 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Not One's Just Desserts | John Lunn, The Chamber Orchestra Of London | F Major | 2 | 7B | 79 BPM | ||
Such Good Luck | The Chamber Orchestra Of London | G Major | 1 | 9B | 173 BPM | ||
Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM | ||
The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM |