Iannis Xenakis, Stephanos Thomopoulos made "6 Chansons: No. 6. Soustra, dance" available on May 5, 2015. With 6 Chansons: No. 6. Soustra, dance being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Xenakis: Piano Works by Iannis Xenakis, Stephanos Thomopoulos. The song's track number on the album is #10 out of 14 tracks. In terms of popularity, 6 Chansons: No. 6. Soustra, dance is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since 6 Chansons: No. 6. Soustra, dance by Iannis Xenakis, Stephanos Thomopoulos has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 6 Chansons: No. 6. Soustra, dance being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Kraanerg: Tape Entrance 13 | Iannis Xenakis, Callithumpian Consort, Stephen Drury | D Major | 0 | 10B | 105 BPM | ||
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
Flowers In The Night | DVMAGE | E♭ Major | 0 | 5B | 140 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
6 Chansons: No. 4. Trois moines cretois… (Three Cretan monks) | Iannis Xenakis, Stephanos Thomopoulos | A Minor | 0 | 8A | 72 BPM | ||
Preludes in Quarter-Tone System: I | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | B♭ Minor | 1 | 3A | 137 BPM |