Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar made "Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard" available on October 7, 1994. With Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #4. In terms of popularity, Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Einzugs-galopp, Op. 35 | Slovak Sinfonietta, Zilina, Johann Strauss I | A Major | 2 | 11B | 145 BPM | ||
Cherevichki: Danse russe | Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 115 BPM | ||
Symphony No. 2: III. Allegro "Alla köçekçe" | Ulvi Cemal Erkin, Istanbul State Symphony Orchestra, Theodore Kuchar | E♭ Major | 1 | 5B | 78 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
Act II: Entree Of Kitri & Basil (Minkus) | Mariinsky Orchestra | G Major | 4 | 9B | 121 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A♭ Major | 9 | 4B | 125 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | F Major | 2 | 7B | 145 BPM |