"Tosca, S.69 / Act 1: "Tre sbirri, una carrozza"" by Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark was released on January 1, 2009. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 16 in Bad Boys by Bryn Terfel. Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" by Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM |