"Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen"" by Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #5. In terms of popularity, Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" by Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 2: O China, che or sussulti (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 117 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?" | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 125 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 110 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
Jenufa / Act 1: A tak bychom sli celym zivotem | Leoš Janáček, Elisabeth Söderström, Eva Randová, Marie Mrazova, Wiesław Ochman, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 92 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Lachst du mich aus? ... Lach' ich dich aus?" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | A Major | 0 | 11B | 123 BPM | ||
Madama Butterfly / Act 1: Bimba, bimba, non piangere | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 87 BPM | ||
Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel | Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 0 | 4B | 126 BPM |