Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova made "Maskerade-Suite: III. Mazurka" available on December 1, 2015. The duration of Maskerade-Suite: III. Mazurka is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Maskerade-Suite: III. Mazurka's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova's "Khachaturian: Masquerade & La viuda valenciana" album is number 9 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Maskerade-Suite: III. Mazurka is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Maskerade-Suite: III. Mazurka by Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moto perpetuo, Op. 11 | Itzhak Perlman, Samuel Sanders | C Major | 5 | 8B | 182 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |