"I Still Love Him" by Netania Davrath, Erik Werba was released on November 2, 2018. The duration of I Still Love Him is about 3 minutes long, at 3:00. Based on our data, "I Still Love Him" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Netania Davrath, Erik Werba's "Mussorgsky Song Cycles" album is number 15 out of 16. In terms of popularity, I Still Love Him is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Still Love Him by Netania Davrath, Erik Werba to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Massenet: Don Quichotte, Act 4: "Lorsque le temps d'amour a fui" (Dulcinée) | Jules Massenet, Michel Plasson, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
La Traviata, Act 3 Scene 4: Addio del passato (Arr. for Countertenor & String Quartet by Eric Mouret) | Giuseppe Verdi, Théophile Alexandre, Quatuor Zaïde | E Minor | 1 | 9A | 149 BPM | ||
Amore e morte | Gaetano Donizetti, Cecilia Bartoli, James Levine | F Minor | 0 | 4A | 81 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Pelléas et Mélisande, Op. 80 - Orchestral suite, 1898. Orch. by Fauré after the stage work.: Molto Adagio | Gabriel Fauré, Orchestre de la Suisse Romande, Ernest Ansermet | D Major | 1 | 10B | 94 BPM | ||
La delaïssádo | Netania Davrath, orchestra conducted by Pierre de la Roche | G Major | 2 | 9B | 96 BPM |