"Carnival of the Animals (after C. Saint-Saens): I. Introduction and Royal March of the Lion" by John Morris Russell, Cincinnati Pops Orchestra had its release date on November 11, 2014. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Russell: Carnival of the Animals". In this album, this song's track order is #2. Carnival of the Animals (after C. Saint-Saens): I. Introduction and Royal March of the Lion is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carnival of the Animals (after C. Saint-Saens): I. Introduction and Royal March of the Lion by John Morris Russell, Cincinnati Pops Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24: Act III: Ecossaise | Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar | C Minor | 2 | 5A | 85 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D Major | 2 | 10B | 107 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: II. Pantomime | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | B Major | 3 | 1B | 82 BPM | ||
Scarlett in the Mist: II. Leaving Home | Milo Paulus | F♯ Major | 3 | 2B | 83 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Shchedrin: Carmen Suite: VIII. Bolero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | A Minor | 6 | 8A | 175 BPM | ||
25 Études faciles et progressives, Op. 100: No. 13, Consolation | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 48 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |