Umberto Giordano, Alfonso Antoniozzi, Claudio Ottino, Alessandro Fantoni, Daria Kovalenko, Genoa Carlo Felice Theater Orchestra, Valerio Galli's ' "Fedora, Act II: La donna russa (Live)" was released on its scheduled release date, January 19, 2018. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Daniela Dessi, Fabio Armiliato, Genoa Carlo Felice Theater Orchestra, Valerio Galli's "Giordano: Fedora" album is number 9 out of 25. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fedora, Act II: La donna russa (Live) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Fedora, Act II: La donna russa (Live) by Umberto Giordano, Alfonso Antoniozzi, Claudio Ottino, Alessandro Fantoni, Daria Kovalenko, Genoa Carlo Felice Theater Orchestra, Valerio Galli to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 1 | 3A | 165 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" - Remastered | Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | D♭ Minor | 3 | 12A | 81 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Il re pastore, K. 208, Act I Scene 3: Si spande al sole in faccia | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | D Major | 4 | 10B | 121 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |