Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra's ' "Madama Butterfly: Un bel di vedremo" was released on its scheduled release date, 1969. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Puccini Without Words". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Madama Butterfly: Un bel di vedremo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Madama Butterfly: Un bel di vedremo by Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: Hoe-Down | Aaron Copland, Michael Tilson Thomas | D Major | 2 | 10B | 129 BPM | ||
Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | ||
Telling Tales | Ben Bartlett | G Minor | 0 | 6A | 97 BPM | ||
Adagio for Organ and Strings in G Minor | Tomaso Albinoni, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Tibor Bauer, Drazan Milas | D Major | 1 | 10B | 114 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Les saisons (The Seasons), Op. 37b: VI. June: Barcarolle | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | E Major | 1 | 12B | 131 BPM | ||
6 Hungarian Rhapsodies, S359/R441: 6 Hungarian Rhapsodies, S359/R441: No. 2 in D minor | Franz Liszt, Hungarian State Symphony Orchestra | G Major | 1 | 9B | 76 BPM | ||
La Rondine: Act II: Bevo al tuo fresco sorriso (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | E♭ Major | 6 | 5B | 84 BPM |