"Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid" by Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton was released on January 1, 1976. With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #2 out of 42 tracks. The popularity of Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid by Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 165 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 2. Salvation Army Song III: don't be afraid being at 165 テンポ, the half-time would be 82 テンポ with a double-time of 330 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Après Un Rêve Opus 7/1 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 | Franz Schubert, Elisabeth Schwarzkopf, Edwin Fischer | D Major | 0 | 10B | 71 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two") | Vincent Youmans, Philadelphia Orchestra, Mariss Jansons | A♭ Major | 1 | 4B | 84 BPM |