"Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir)" by Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on 1978. The duration of Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) is about 3 minutes long, at 3:11. Based on our data, "Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 38 in Bizet: The Pearl Fishers by Georges Bizet, Ileana Cotrubas, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) by Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Les Pêcheurs de perles, Act II: Les barques ont gagné la grève (Nourabad, Leïla) | Georges Bizet, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 1 | 7B | 63 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
Lady Macbeth of Mtsensk District / Act 1: Mnógo vï - Cto ego? | Dmitri Shostakovich, Maria Ewing, Sergej Larin, Heinz Zednik, Aage Haugland, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Major | 0 | 5B | 141 BPM | ||
Ravel / Arr Jones: Le tombeau de Couperin: III. Menuet | Maurice Ravel, Les Vents Français, Georges Prêtre, French National Radio Orchestra | G Major | 1 | 9B | 130 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (a) Valse des heures (Moderato - Tempo di Valse) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 92 BPM | ||
Die Pariserin, Polka française, Op. 238 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | E Major | 3 | 12B | 91 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM | ||
Four Songs, Op. 2: Oriental Romance | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 0 | 11A | 166 BPM |