"Les Pêcheurs de perles, Act II: Les barques ont gagné la grève (Nourabad, Leïla)" by Georges Bizet, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on 1978. With Les Pêcheurs de perles, Act II: Les barques ont gagné la grève (Nourabad, Leïla) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 38 in Bizet: The Pearl Fishers by Georges Bizet, Ileana Cotrubas, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Les Pêcheurs de perles, Act II: Les barques ont gagné la grève (Nourabad, Leïla) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles, Act II: Les barques ont gagné la grève (Nourabad, Leïla) by Georges Bizet, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |