Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame made "Sonata No. 3 in B Minor, "The Nativity": IV. Adagio" available on March 24, 2023. With Sonata No. 3 in B Minor, "The Nativity": IV. Adagio being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 47 in Biber: The Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Sonata No. 3 in B Minor, "The Nativity": IV. Adagio is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata No. 3 in B Minor, "The Nativity": IV. Adagio by Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame is Vivace (lively and fast), since this song has a tempo of 168 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 3rd movement: Adagio | Francesco Geminiani, Bell'Arte Antiqua | B Minor | 1 | 10A | 113 BPM | ||
Partie 5 en si bémol majeur: Gavotte - Variatio | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 125 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM |