Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl made "Partie 5 en si bémol majeur: Gavotte - Variatio" available on November 15, 1994. The duration of Partie 5 en si bémol majeur: Gavotte - Variatio is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Partie 5 en si bémol majeur: Gavotte - Variatio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pachelbel : Musicalische Ergotzung pour 2 violons & basse continue". In this album, this song's track order is #4. Based on our statistics, Partie 5 en si bémol majeur: Gavotte - Variatio's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Partie 5 en si bémol majeur: Gavotte - Variatio by Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 3 in A Major: I. Largo | William Boyce, Simon Standage, Collegium Musicum 90 | E♭ Major | 0 | 5B | 84 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto in G Minor: V. Allegro | Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz | D♭ Minor | 1 | 12A | 128 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: I. Allegro non molto | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 99 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Musicalische Ergötzung: Partie IV in e-moll | Johann Pachelbel, Charles Medlam, London Baroque | E♭ Minor | 2 | 2A | 89 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM |