"The Gershwin Songbook: No. 1, The Man I Love" by George Gershwin, Joanna MacGregor was released on 1991. The duration of The Gershwin Songbook: No. 1, The Man I Love is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Gershwin Songbook: No. 1, The Man I Love's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Gershwin, Joanna MacGregor, Carl Davies, London Symphony Orchestra's "Gershwin: Rhapsody in Blue, Piano Concerto in F Major & The Gershwin Songbook" album is number 5 out of 20. On top of that, United Kingdom appears to be the country where this track was created. The Gershwin Songbook: No. 1, The Man I Love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gershwin Songbook: No. 1, The Man I Love by George Gershwin, Joanna MacGregor to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ragtime Dance | Scott Joplin, Joshua Rifkin | E♭ Major | 1 | 5B | 92 BPM | ||
Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Piazzolla: Libertango | Astor Piazzolla, Alison Balsom, Edward Gardner, Göteborg Symfoniker | A Minor | 3 | 8A | 150 BPM | ||
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Someone to Watch over Me - FROM: Oh, Kay! - Arr. for piano solo | George Gershwin, André Previn | B♭ Major | 0 | 6B | 112 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |