Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano's 'Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate' came out on August 1, 1997. The duration of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 38 in Donizetti: Poliuto by Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Antonino Votto, Coro e Orchestra del Teatro alla Scala, Milano, Franco Corelli, Ettore Bastianini, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate by Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Puccini: La bohème, Act 1: "Ehi! Rodolfo! … O soave fanciulla, o dolce viso" (Schaunard, Colline, Marcello, Rodolfo, Mimi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Major | 1 | 11B | 88 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
L'elisir d'amore / Act 1: "Tran, tran, tran, tran - In guerra ed in amor" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 90 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM |