"Hier an dem Herzen treu geborgen (Carmen)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 5 out of 33. Hier an dem Herzen treu geborgen (Carmen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hier an dem Herzen treu geborgen (Carmen) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida: Holde Aida | Max Lorenz | B♭ Major | 4 | 6B | 84 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Da zu dir der Heiland kam | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Götterdämmerung | Birgit Nilsson, Max Lorenz, Set Svanholm, Elisabeth Höngen, Ferdinand Frantz, Ludwig Weber, Günther Treptow, Kirsten Flagstad, Orchestra Del Teatro Alla Scala, Milano, Chorus of La Scala | B Major | 1 | 1B | 92 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Cavalleria Rusticana: Preludio e Siciliana | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Giorgio Berrugi | F Major | 1 | 7B | 79 BPM | ||
Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Zu neuen Taten, teurer Helde (Brunnhilde, Siegfried) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | G Minor | 2 | 6A | 77 BPM | ||
Theme and Variations, Sonatina 4 (Thomas Attwood) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Eugen Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra | G Major | 2 | 9B | 103 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 2: I. Adagio – Allegro | Camille Saint-Saëns, Thierry Fischer, Utah Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM |