"Cavalleria Rusticana : Lo so che il torto e mio" by Fabio Armiliato was released on March 14, 2011. The duration of Cavalleria Rusticana : Lo so che il torto e mio is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Cavalleria Rusticana : Lo so che il torto e mio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Ten Years On Stage". In this album, this song's track order is #4. The popularity of Cavalleria Rusticana : Lo so che il torto e mio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana : Lo so che il torto e mio by Fabio Armiliato having a テンポ of 170 with a half-time of 85 テンポ and a double-time of 340 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I vespri siciliani*: Act III: Sogno, o son desto? (Arrigo, Monforte) | Giuseppe Verdi, Leo Nucci, Parma Teatro Regio Orchestra, Fabio Armiliato, Massimo Zanetti | A Minor | 3 | 8A | 99 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) | Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato Renzetti | F Major | 2 | 7B | 128 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Les Pêcheurs de perles: C'est toi! toi qu'enfin je revois! (Zurga, Nadir) | Georges Bizet, Ernest Blanc/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | E Major | 1 | 12B | 165 BPM | ||
Mireille : Anges du Paradis | Fabio Armiliato | C Major | 5 | 8B | 75 BPM |