"Nocturne No. 20 In C Sharp Minor. Op. Post." by Frédéric Chopin, Sarah Chang, Sandra Rivers, Nathan Milstein was released on January 1, 1992. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Sarah Chang: Debut". In this album, this song's track order is #12. In terms of popularity, Nocturne No. 20 In C Sharp Minor. Op. Post. is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne No. 20 In C Sharp Minor. Op. Post. by Frédéric Chopin, Sarah Chang, Sandra Rivers, Nathan Milstein having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel (Allegro moderato) | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | C Minor | 2 | 5A | 118 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Estrellita | Manuel Ponce, Joshua Bell, Michael Stern | F♯ Major | 2 | 2B | 118 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Frédéric Chopin, Abbey Simon | B♭ Major | 0 | 6B | 125 BPM | ||
Tempo di valse in F-Sharp Minor, JS 194, "Lulu Waltz": Lulu Waltz | Jean Sibelius, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 88 BPM | ||
II. Lento Assai | Pablo de Sarasate, Sarah Chang, Sandra Rivers | F Major | 1 | 7B | 94 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Robert Bailey, Richard Stamp | G Major | 0 | 9B | 175 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM |