Franz Liszt, Aldo Ciccolini made "Liszt: Consolations, S. 172: No. 3 in D-Flat Major, Lento placido" available on January 1, 1972. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Aldo Ciccolini's "Liszt: Consolations, Légendes & Rêves d'amour" album is number 3 out of 11. On top of that, France appears to be the country where this track was created. Liszt: Consolations, S. 172: No. 3 in D-Flat Major, Lento placido is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Liszt: Consolations, S. 172: No. 3 in D-Flat Major, Lento placido by Franz Liszt, Aldo Ciccolini to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
2 Waltzes, Op. posth. 69: No. 1 in A-Flat Major "Valse de l'adieu" | Frédéric Chopin, Arthur Rubinstein | A♭ Major | 0 | 4B | 134 BPM | ||
Pas des ésharpes, Op. 37 | Cécile Chaminade, Eric Parkin | A♭ Major | 0 | 4B | 138 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 1 in B-Flat Minor | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Major | 0 | 2B | 127 BPM | ||
Harpsichord Suite No. 1 in B-Flat Major (Set II), HWV 434: Minuet (Arr. Kempff) | George Frideric Handel, Wilhelm Kempff | G Minor | 0 | 6A | 136 BPM | ||
La Lisonjera (The Flatterer), Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM |