"Ravel: Le Cyne from Histoires Naturelles" by Gérard Souzay was released on 2005. The duration of Ravel: Le Cyne from Histoires Naturelles is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Ravel: Le Cyne from Histoires Naturelles's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gérard Souzay's "Mélodies Françaises Pour Bariton" album is number 9 out of 30. In terms of popularity, Ravel: Le Cyne from Histoires Naturelles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ravel: Le Cyne from Histoires Naturelles by Gérard Souzay to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hippolyte et Aricie / Act 2: "Ah! qu'on daigne du moins...Puisque Pluton" | Jean-Philippe Rameau, Gérard Souzay, English Chamber Orchestra, Raymond Leppard | E♭ Minor | 0 | 2A | 143 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Orfeo ed Euridice (Orphée et Euridice) / Act 2: "Che puro ciel, che chiaro sol" | Christoph Willibald Gluck, Gérard Souzay, Orchestre Lamoureux, Serge Baudo | B♭ Minor | 1 | 3A | 78 BPM | ||
Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
Messa di Gloria: IV. Gratias | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | B Minor | 6 | 10A | 83 BPM | ||
Les nuits d'été, Op.7: 1. Villanelle | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 129 BPM | ||
An den Mond, D. 193 | Franz Schubert, Bernarda Fink, Gerold Huber | D Minor | 0 | 7A | 178 BPM | ||
Am Tage aller Seelen, D. 343, "Litanei auf das Fest aller Seelen" | Franz Schubert, Gérard Souzay, Dalton Baldwin | D♭ Major | 0 | 3B | 130 BPM | ||
5 Lieder, Op. 48: No. 1, Freundliche vision | Charlotte Hoather | D Major | 1 | 10B | 94 BPM |