"Victimae paschali laudes - Sequentia Tempore Paschali" by Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux was released on January 1, 1960. With Victimae paschali laudes - Sequentia Tempore Paschali being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux's "Gregorian Chant" album is number 16 out of 17. Based on our statistics, Victimae paschali laudes - Sequentia Tempore Paschali's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Victimae paschali laudes - Sequentia Tempore Paschali by Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia, Virga Jesse | Lucien Deiss, CSSp | A♭ Minor | 0 | 1A | 77 BPM | ||
Misa de Difuntos: Secuencia: Dies irae, dies illa | Coro De La Abadía Benedictina De Santo Domingo De Silos | E♭ Major | 2 | 5B | 101 BPM | ||
O Maria vitae via | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | E♭ Major | 0 | 5B | 131 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Sanctus 5 - In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | F Major | 1 | 7B | 169 BPM | ||
Lauda Sion Salvatorem Sequentia (Fronleichnam) | Choir Of St. Abuscus | E♭ Major | 1 | 5B | 72 BPM | ||
Venite Filii | Monks And Choir Boys Of Downside Abbey | G Minor | 1 | 6A | 100 BPM | ||
Amen, And with thy spirit | USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 1 | 8B | 136 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Kyrie (Josef Gabriel Rheinberger) | Sexteto Cantábile | D♭ Minor | 2 | 12A | 76 BPM |