Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad"" available on October 14, 2011. With Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 6 out of 70. The popularity of Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Corsaire: Act II - "6. Grand Pas: Variation: Conrad" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Vivace (lively and fast) because the track has a tempo of 170 テンポ, a half-time of 85テンポ, and a double-time of 340 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 174 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM | ||
Gaîté parisienne: Polka | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 80 BPM | ||
組曲 展覧会の絵, 9. バーバ・ヤーガの小屋 | Modest Mussorgsky, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 2 | 11A | 81 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 21 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 4 | 9A | 133 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 182 BPM |