Michael Haydn, Matthias Bamert, London Mozart Players made "Symphony in G Major, P. 16: I. Allegro con spirito" available on January 1, 1996. With this song being about 5 minutes long, at 5:11, "Symphony in G Major, P. 16: I. Allegro con spirito" by Michael Haydn, Matthias Bamert, London Mozart Players is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Haydn, Matthias Bamert, London Mozart Players's "Micheal Haydn: Symphonies" album is number 9 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony in G Major, P. 16: I. Allegro con spirito's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony in G Major, P. 16: I. Allegro con spirito by Michael Haydn, Matthias Bamert, London Mozart Players to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Laudate Pueri (Psalm 112): Laudate Pueri Dominum | George Frideric Handel, Alfred Deller, The Deller Consort | D♭ Major | 1 | 3B | 93 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Requiem, Kyrie: II. Christe eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | E♭ Major | 0 | 5B | 98 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM |