"Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo" by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations was released on December 22, 2023. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 27 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86, B. 175: Credo. Allegro moderato | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka | D Major | 2 | 10B | 169 BPM | ||
Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM | ||
Te Deum in D Major, MH 829: II. Largo | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | G Major | 1 | 9B | 67 BPM | ||
Sinfonia In F Major, Wq. 183/3, H. 665: I. Allegro Di Molto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" | Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 134 BPM | ||
Symphony No. 49 in F Major: I. Allegro spiritoso | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 82 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. Presto. Recitativo: "O Freunde, nicht diese Töne!" | Ludwig van Beethoven, Antonello Manacorda, Kammerakademie Potsdam | G Major | 3 | 9B | 72 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM |