Heitor Villa-Lobos, Nelson Freire's 'Villa-Lobos: A prole do bebê No. 1, W. 140: V. Negrinha (A boneca de pau). Vivo' came out on 1974. With Villa-Lobos: A prole do bebê No. 1, W. 140: V. Negrinha (A boneca de pau). Vivo being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos : Prole do Bebê, Rudepoema, As três Marias by Heitor Villa-Lobos, Nelson Freire. The song's track number on the album is #5 out of 11 tracks. Villa-Lobos: A prole do bebê No. 1, W. 140: V. Negrinha (A boneca de pau). Vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Villa-Lobos: A prole do bebê No. 1, W. 140: V. Negrinha (A boneca de pau). Vivo by Heitor Villa-Lobos, Nelson Freire has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Villa-Lobos: A prole do bebê No. 1, W. 140: V. Negrinha (A boneca de pau). Vivo being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Waltz in F Minor, Op. 1 | Alexander Scriabin, Valentina Lisitsa | D♭ Major | 0 | 3B | 71 BPM | ||
Cantabile | Niccolò Paganini, Midori | D Major | 1 | 10B | 81 BPM | ||
Violetas (arr. Christoph Denoth) | Julio Sagreras, Christoph Denoth | E Minor | 1 | 9A | 141 BPM | ||
Bachianas brasileiras No. 7: I. Preludio: Ponteio | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | G Minor | 1 | 6A | 47 BPM | ||
Histoire du tango pour flûte et guitare: Café 1930 | Cécile Daroux, Pablo Marquez | E Minor | 0 | 9A | 83 BPM | ||
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Bachianas brasileiras No. 2, "O trenzinho do Caipira": IV. Toccata: O trenzinho do Caipira (The Peasant’s Little Train) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 1 | 8B | 97 BPM |