"Histoire du tango pour flûte et guitare: Café 1930" by Cécile Daroux, Pablo Marquez was released on 1998. Histoire du tango pour flûte et guitare: Café 1930 is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Piazzolla: Histoire du Tango". In this album, this song's track order is #2. Histoire du tango pour flûte et guitare: Café 1930 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Histoire du tango pour flûte et guitare: Café 1930 by Cécile Daroux, Pablo Marquez having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
Suite del recuerdo: Evocacion | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 114 BPM | ||
La traviata: Ah, fors'è lui che l'anima | Giuseppe Verdi, Cécile Daroux, Frédéric Lagarde | A Minor | 0 | 8A | 132 BPM | ||
12 Tonadillas en Estilo Antiguo: No. 7, El Majo Timido - Arr. for Cello and Guitar | Enrique Granados, Anne Gastinel, Pablo Marquez | D Major | 1 | 10B | 167 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM | ||
3 Rondo brillants, Op. 2: No. 2b in A Minor. Rondo moderato | Dionisio Aguado, Lorenzo Micheli | A Minor | 1 | 8A | 95 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
Milonga de los 70 (Milonga des '70) | Ensemble Almaviva, Laure Gouget, Monica Taragano, Pablo Marquez, Johanne Mathaly, Ezequiel Spucches | F Minor | 2 | 4A | 146 BPM |