"Hymn II (After a Theme from Zadok the Priest, HWV 258)" by George Frideric Handel, Martin Stadtfeld was released on April 9, 2021. The duration of Hymn II (After a Theme from Zadok the Priest, HWV 258) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Hymn II (After a Theme from Zadok the Priest, HWV 258)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Piano Songbook". In this album, this song's track order is #10. Hymn II (After a Theme from Zadok the Priest, HWV 258) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hymn II (After a Theme from Zadok the Priest, HWV 258) by George Frideric Handel, Martin Stadtfeld having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Lyric Pieces, Op. 12: No. 3, Watchman's Song | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | ||
6 Romances Russes: No. 6 in D Minor (after Dargomizhsky) | Adolf von Henselt, Sergio Gallo | D Minor | 0 | 7A | 71 BPM | ||
Chaconne in G Major, HWV 435 (arr. E. d'Albert for piano) | Eugen d'Albert, George Frideric Handel, Roberto Cominati | G Major | 1 | 9B | 117 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation III | George Frideric Handel, Martin Stadtfeld | D Minor | 2 | 7A | 74 BPM | ||
4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |