Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra made "Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Adagio" available on December 15, 2023. With Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Adagio being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Saint-Saens: Symphony No. 3 "Organ" & Le Carnaval des animaux (2023 Remastered Version)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Adagio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Adagio by Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | C Minor | 2 | 5A | 89 BPM | ||
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Concerto for Clarinet and Orchestra, Op. 124: III. Lento | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | D Minor | 0 | 7A | 62 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
The Men's Project: II. Meeting Madeleine | Milo Paulus | C Major | 2 | 8B | 136 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM |