Giacomo Puccini, Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra made "Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca)" available on February 1, 1999. The duration of Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #3. In terms of popularity, Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Puccini: Il tabarro: "O Luigi, ancora una passata" (Il Talpa, Luigi, Giorgetta, Il Tinca) by Giacomo Puccini, Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Maria Guleghina/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: Popolo di Pechino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B♭ Minor | 2 | 3A | 82 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Tosca: Ricondita Armonia | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | F Major | 2 | 7B | 82 BPM | ||
Peter Grimes, Prologue: "The truth … the pity …" | Benjamin Britten, Janice Watson, Sir Colin Davis, London Symphony Orchestra | D♭ Major | 1 | 3B | 91 BPM | ||
Puccini: Tosca, Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
La Bohème, Act IV: "In un Coupé?...O Mimi, tu più non torni" | Giacomo Puccini, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | B Major | 3 | 1B | 86 BPM | ||
The Rake's Progress / Act I / Scene III: "I Go, I Go to Him" (Anne) | Igor Stravinsky, Deborah York, London Symphony Orchestra, John Eliot Gardiner | C Major | 1 | 8B | 135 BPM | ||
Candide / Act II: 28. The Venice Gavotte | Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Adolph Green, London Symphony Orchestra | G Major | 1 | 9B | 121 BPM |