"Orfeo ed Euridice (arr. N. Mercz): Ballet, 'Dance of the Blessed Spirits', from 'Orfeo ed Euridice'" by Nora Mercz, Christoph Willibald Gluck, Janos Balint was released on November 26, 1993. Since Orfeo ed Euridice (arr. N. Mercz): Ballet, 'Dance of the Blessed Spirits', from 'Orfeo ed Euridice' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 14 in Flute and Harp by Janos Balint. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Orfeo ed Euridice (arr. N. Mercz): Ballet, 'Dance of the Blessed Spirits', from 'Orfeo ed Euridice' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice (arr. N. Mercz): Ballet, 'Dance of the Blessed Spirits', from 'Orfeo ed Euridice' by Nora Mercz, Christoph Willibald Gluck, Janos Balint is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte II: Air: Cet asile aimable - Danse des Héroes et Héroines - Live | Christoph Willibald Gluck, Claire Delgado-Boge, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 115 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Johannes Moser, Ewa Kupiec | B♭ Major | 0 | 6B | 85 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM |