Alessandro Marcello, Venice Baroque Orchestra made "Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: III. Presto" available on 1998. The duration of Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: III. Presto is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: III. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alessandro Marcello, Venice Baroque Orchestra's "Marcello: Concerto in D minor - Unpublished Concertos and Cantatas" album is number 15 out of 22. Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: III. Presto is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: III. Presto by Alessandro Marcello, Venice Baroque Orchestra to be Lento (slowly) because the track has a tempo of 60 テンポ, a half-time of 30テンポ, and a double-time of 120 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, François Leleux | F Major | 2 | 7B | 102 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |