"Ae Fond Kiss" by Traditional, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald was released on January 1, 2013. With this song being about 5 minutes long, at 4:39, "Ae Fond Kiss" by Traditional, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald's "Homecoming - A Scottish Fantasy (Mirror)" album is number 5 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Ae Fond Kiss is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ae Fond Kiss by Traditional, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eclogue, Op. 10 | Gerald Finzi, Andrew Davis, BBC Symphony Orchestra, Louis Lortie | B♭ Minor | 0 | 3A | 87 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Lars Vogt, Royal Northern Sinfonia | B Major | 0 | 1B | 97 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Mouth Music & Tunes Set | Traditional, Phil Cunningham, Nicola Benedetti, Éamon Doorley, Tony Byrne, Ewen Vernal, Julie Fowlis, Duncan Chisholm, James MacIntosh | D Major | 4 | 10B | 114 BPM | ||
Nimrod (Enigma Variations) | Edward Elgar, Grimethorpe Colliery Band | B♭ Major | 1 | 6B | 167 BPM | ||
Csardas (Arr. R. Pontinen and M. Frost) | Vittorio Monti, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F Major | 1 | 7B | 87 BPM | ||
On the Nature of Daylight | Orchestra of the Swan | B♭ Minor | 1 | 3A | 100 BPM | ||
Violin Concerto in E-Flat Major, RV 257: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | A Major | 3 | 11B | 138 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM |