Hector Berlioz, Leonard Bernstein, New York Philharmonic made "La damnation de Faust, Op. 24: Rákóczy March "Hungarian March"" available on 1961. With this song being about 5 minutes long, at 4:32, "La damnation de Faust, Op. 24: Rákóczy March "Hungarian March"" by Hector Berlioz, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Berlioz: Benvenuto Cellini Overure, Op. 23 & Le carnaval romain Overture, Op. 9 & Roméo et Juliet, Op. 17 & Rákóczy March by Hector Berlioz, Leonard Bernstein, New York Philharmonic. In terms of popularity, La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" by Hector Berlioz, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Par Bacchus ! ils sont fous avec leur Italie !" (Sentinelles) | Hector Berlioz, John Nelson, Frédéric Caton, Jerome Varnier, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 143 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM |