Robert de Visée, Yasunori Imamura's 'Suite in A Major: VI. Menuet' came out on January 1, 1993. With Suite in A Major: VI. Menuet being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #19 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite in A Major: VI. Menuet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Suite in A Major: VI. Menuet by Robert de Visée, Yasunori Imamura has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in A Major: VI. Menuet being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 7 Valtz, n. 8 Andante, n. 9 Andantino | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Sonata for Violoncello and Continuo in A Minor, RV 43: II. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | A Minor | 2 | 8A | 119 BPM | ||
Pièces de Luth, Livre I in A Minor: No. 1, Prelude | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Suite in A Minor: II. Allemande | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 67 BPM | ||
The Flat Pavan | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 94 BPM | ||
Suite in D Minor: II. Tombeau de Mezangeau | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Lachrimae or Seven Tears: XVII. Mr Thomas Collier his Galliard with Two Trebles | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |