"Songs Of Separation: I. Idolatry" by William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson was released on November 30, 1972. The duration of Songs Of Separation: I. Idolatry is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Songs Of Separation: I. Idolatry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Music Of William Grant Still". In this album, this song's track order is #5. The popularity of Songs Of Separation: I. Idolatry is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs Of Separation: I. Idolatry by William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM | ||
Miniatures: Yaravi | William Grant Still, Svjetlana Kabalin, Kathy Halvorson, Nuno Antunes, Gina Cuffari, Zohar Schondorf | G Major | 2 | 9B | 127 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Romance (arr. for clarinet and piano) | Anonymous , William Grant Still, Marcus Eley, Lucerne DeSa | E♭ Major | 0 | 5B | 69 BPM | ||
Danzas de Panama: III. Punto | William Grant Still, The Annex Quartet | D Major | 1 | 10B | 173 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Esja | Luke Faulkner, Alix Vaillot-Szwarc, Özgür Kaya | E Minor | 1 | 9A | 96 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |