"Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto" by Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon was released on April 24, 2020. The duration of Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon's "Magnard: Orchestral Works" album is number 6 out of 9. In terms of popularity, Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto by Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Shostakovich: Fugue No. 7 In A Major | Dmitri Shostakovich, Joachim Kwetzinsky | A Major | 1 | 11B | 79 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act II (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Change of Scene - Buďto mám těžiště pohyblivé | Leoš Janáček, Junbum Lee, Petar Naydenov, Michael Borth, The Lily's Project, Fabrice Bollon | A♭ Minor | 3 | 1A | 114 BPM | ||
Magnard: Symphony No. 4 in C-Sharp Minor, Op. 21: IV. Animé | Albéric Magnard, Michel Plasson, Orchestre Du Capitole De Toulouse | C Minor | 1 | 5A | 125 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: IV. Menuet. Tranquillo | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 85 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Josephslegende, Op. 63, TrV 231: Vierte Tanzfigur. Joseph hat Gott gefunden | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM |