"Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso" by Pyotr Ilyich Tchaikovsky, Kurt Masur, Gewandhausorchester was released on January 1, 1987. Since Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Tchaikovsky: Symphony No. 6 "Pathétique"". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso by Pyotr Ilyich Tchaikovsky, Kurt Masur, Gewandhausorchester having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: I. Bewegt, nicht zu schnell - Live | Anton Bruckner, Gewandhausorchester, Andris Nelsons | F Minor | 1 | 4A | 81 BPM | ||
Manfred Symphony, Op. 58, TH.28: 2. Vivace con spirito | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | C Major | 3 | 8B | 96 BPM | ||
Symphony No.2 in C Minor, op. 17 " Little Russian " : I. Andante sostenuto-Allegro vivo | Philharmonia Slavonica, Alberto Lizzio | F Minor | 1 | 4A | 104 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Otto Klemperer, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | ||
Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Symphony No.3 in F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Gewandhausorchester, Riccardo Chailly | F Major | 1 | 7B | 179 BPM | ||
Fantasia symphonica: III. Allegro scherzoso | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | F Major | 1 | 7B | 94 BPM |