"Baah-Baah Bacchanale" by John Morris Russell, Cincinnati Pops Orchestra had its release date on November 11, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Russell: Carnival of the Animals". In this album, this song's track order is #17. The popularity of Baah-Baah Bacchanale is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Baah-Baah Bacchanale by John Morris Russell, Cincinnati Pops Orchestra having a テンポ of 162 with a half-time of 81 テンポ and a double-time of 324 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Blind Injustice, Scene 3: I Used to Be That Guy (Live) | Scott Davenport Richards, Samuel Levine, Joseph Lattanzi, Deborah Nansteel, Morgan Smith, Joseph Parrish, Cincinnati Symphony Orchestra, John Morris Russell | B Minor | 3 | 10A | 150 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Winter and Moves | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | F♯ Minor | 3 | 11A | 50 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Petits rêves d’enfant: No. 2, Andantino grazioso | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM |