"25 Études faciles et progressives, Op. 100: No. 8, La gracieuse" by Franz Burgmüller, The Gerst Ensemble was released on June 1, 2020. The duration of 25 Études faciles et progressives, Op. 100: No. 8, La gracieuse is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 25 Études faciles et progressives, Op. 100: No. 8, La gracieuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 25 in Classical Folder Burgmüller by Franz Burgmüller, The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 25 Études faciles et progressives, Op. 100: No. 8, La gracieuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Études faciles et progressives, Op. 100: No. 8, La gracieuse by Franz Burgmüller, The Gerst Ensemble is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Jugendklange, Op. 32: No. 14. Lieb' Schwesterlein | Robert Fuchs, Daniel Blumenthal | B Major | 0 | 1B | 92 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Lamento (After "When I Am Laid in Earth" from Dido and Aeneas, Z. 626) | Henry Purcell, Martin Stadtfeld | G Minor | 0 | 6A | 67 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM |