City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 1. He who decides' came out on June 28, 2005. With King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 1. He who decides being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #35. Based on our statistics, King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 1. He who decides's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With King Lear Op. 58a - 1941 Production: The Fool's ten songs - i. 1. He who decides by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius : Pohjola's Daughter Op.49 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Cello Concerto No.1 in E Flat Major, Op.107: 4. Allegro con moto - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | A♭ Major | 4 | 4B | 128 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Variations on an Original Theme, Op.36 'Enigma': XII. B.G.N. (Basil G. Nevinson) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | B♭ Major | 0 | 6B | 77 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Requiem, Op. 63: IVh. Quaerens me – | Charles Villiers Stanford, Ross Ramgobin, City Of Birmingham Symphony Orchestra, University of Birmingham Voices, Martyn Brabbins | F Minor | 0 | 4A | 61 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM |