"Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato" by Ralph Vaughan Williams, Hallé, Sir Mark Elder was released on November 3, 2014. Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Pastoral Symphony by Ralph Vaughan Williams, Sir Mark Elder, Hallé. The song's track number on the album is #2 out of 7 tracks. Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Variations on an Original Theme ('Enigma'), Op.36 | Hallé | G Major | 3 | 9B | 81 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Souvenir de Florence, Op. 70, TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Emerson String Quartet, Paul Neubauer, Colin Carr | D Minor | 3 | 7A | 137 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Saint Francois D'Assise / Deuxième Acte: Puis-je à mon tour te poser une question? (Frère Bernard, l'Ange) | Olivier Messiaen, Tom Krause, Dawn Upshaw, Hallé, Kent Nagano, Jeanne Loriod | F Minor | 1 | 4A | 138 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | B Minor | 1 | 10A | 100 BPM | ||
Scherzo a la russe (original Jazz band version, 1944) | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | G Major | 3 | 9B | 130 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM |