"Ravel: Pièce en forme de Habanera" by Maurice Ravel, Alison Balsom, Guy Barker, Guy Barker Orchestra was released on September 8, 2014. The duration of Ravel: Pièce en forme de Habanera is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Ravel: Pièce en forme de Habanera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Paris (SD)". In this album, this song's track order is #8. Ravel: Pièce en forme de Habanera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Pièce en forme de Habanera by Maurice Ravel, Alison Balsom, Guy Barker, Guy Barker Orchestra having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
Pent-Up House | Guy Barker, Pete King, Iain Dixon, Robin Aspland, Arnie Somogyi, Clark Tracey | G Major | 2 | 9B | 128 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Gil Shaham, Alejandro Posada, Orquesta Sinfónica de Castilla y León | D Major | 3 | 10B | 169 BPM | ||
Trumpet Concerto in E-Flat Major, S. 49: II. Andante | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | A♭ Major | 1 | 4B | 105 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Lotus Land (Arr. Kreisler) | Cyril Scott, Ray Chen, Julien Quentin | E♭ Minor | 1 | 2A | 84 BPM |