"Ponchielli: La Gioconda, Act 1: "O monumento!" (Barnaba)" by Amilcare Ponchielli, Paolo Silveri, Orchestra di Torino della RAI, Antonino Votto, Antonino Votto, Orchestra di Torino Della RAI, Paolo Silveri was released on 1953. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1952 - Votto) - Callas Remastered". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Ponchielli: La Gioconda, Act 1: "O monumento!" (Barnaba) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ponchielli: La Gioconda, Act 1: "O monumento!" (Barnaba) by Amilcare Ponchielli, Paolo Silveri, Orchestra di Torino della RAI, Antonino Votto, Antonino Votto, Orchestra di Torino Della RAI, Paolo Silveri having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM |