"Kreisleriana, Op. 16: I. Äußerst bewegt" by Robert Schumann, Benjamin Grosvenor had its release date on January 27, 2023. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Kreisleriana, Op. 16: I. Äußerst bewegt's duration is considered a little bit shorter than the average duration of a typical track. Since Schumann: Kreisleriana, Op. 16: I. Äußerst bewegt only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Kreisleriana, Op. 16: I. Äußerst bewegt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kreisleriana, Op. 16: I. Äußerst bewegt by Robert Schumann, Benjamin Grosvenor having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Thema mit Variationen (Geistervariationen): Var. IV | Robert Schumann, András Schiff | F Major | 0 | 7B | 63 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM | ||
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Nelson Freire | A Minor | 2 | 8A | 167 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM | ||
10 Préludes, Op. 23: No. 1. Largo in F-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Minor | 0 | 11A | 73 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM |