"3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo" by Bedřich Smetana, Jitka Čechová was released on March 13, 2009. With this song being about 5 minutes long, at 5:19, "3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo" by Bedřich Smetana, Jitka Čechová is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Smetana: Piano Works, Vol. 4". In this album, this song's track order is #1. 3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo by Bedřich Smetana, Jitka Čechová having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: ACT I, Scene 4. Krušina, Ludmila, Kecal Tu ji máme | Bedřich Smetana, Svatopluk Sem, Stanislava Jirku, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | F Major | 1 | 7B | 61 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
24 Preludes, Op. 11: No. 2 in A Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 0 | 4A | 65 BPM | ||
Dalibor, JB 1:101, Act I, Scene 4: Zločinem tak pomáhals sobě sám! (Dalibor, Milada, Jitka) | Bedřich Smetana, Beno Blachut, Marie Podvalová, Štefa Petrová, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav Krombholc | A♭ Minor | 4 | 1A | 93 BPM | ||
The Seasons, Op. 37b: III. March, "The Song of the Lark" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 88 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Sonata in D Major, L 164 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto - attacca | Modest Mussorgsky, Ivo Pogorelich | D Major | 0 | 10B | 104 BPM | ||
Children's Album Book 1: No. 1, Andantino | Aram Khachaturian, Victoria Terekiev | B♭ Major | 2 | 6B | 141 BPM |