Monks of St. Anthony's Greek Orthodox Monastery made "Canon of St. Anthony, 1st & 3rd Odes (Plagal 4th Tone)" available on February 17, 2003. With this song being about 5 minutes long, at 5:05, "Canon of St. Anthony, 1st & 3rd Odes (Plagal 4th Tone)" by Monks of St. Anthony's Greek Orthodox Monastery is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vigil of St. Anthony by Monks of St. Anthony's Greek Orthodox Monastery. The song's track number on the album is #11 out of 15 tracks. Based on our statistics, Canon of St. Anthony, 1st & 3rd Odes (Plagal 4th Tone)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Canon of St. Anthony, 1st & 3rd Odes (Plagal 4th Tone) by Monks of St. Anthony's Greek Orthodox Monastery has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Canon of St. Anthony, 1st & 3rd Odes (Plagal 4th Tone) being at 144 テンポ, the half-time would be 72 テンポ with a double-time of 288 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great Litany - Traditional Serbian Chant | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | A Major | 4 | 11B | 118 BPM | ||
Troparul: Născătoare de Dumnezeu, gl. I | Formaţia de muzică bizantină Psalmodia | A Minor | 1 | 8A | 74 BPM | ||
Doxastikon, Mode plagal du 2ème : Gloire à Dieu... | Unknown, Lycourgos Angelopoulos | F♯ Minor | 1 | 11A | 111 BPM | ||
Simeron Krematai Epi Xylou | Dimitrios Papadimitrakis | B Major | 3 | 1B | 108 BPM | ||
Terirem | Yoan Kukuzel (Angeloglassniyat) | B Major | 0 | 1B | 92 BPM | ||
Pasai Ton Aggelon | Byzantine Ark | G Minor | 0 | 6A | 72 BPM | ||
Megalynaria (Second Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
Rich Men Have Turned Poor (Enharmonic Grave Tone) | Monks of St. Anthony's Greek Orthodox Monastery | B Major | 2 | 1B | 85 BPM | ||
It Is Truly Meet - Znamenny Chant | St. Tikhon's Monastery Choir | D♭ Major | 2 | 3B | 107 BPM | ||
Κύριε Εκέκραξα | Ιερά Μονή Τιμίου Προδρόμου | D Major | 3 | 10B | 128 BPM |