"Rich Men Have Turned Poor (Enharmonic Grave Tone)" by Monks of St. Anthony's Greek Orthodox Monastery was released on February 17, 2003. With Rich Men Have Turned Poor (Enharmonic Grave Tone) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vigil of St. Anthony by Monks of St. Anthony's Greek Orthodox Monastery. The song's track number on the album is #8 out of 15 tracks. Rich Men Have Turned Poor (Enharmonic Grave Tone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rich Men Have Turned Poor (Enharmonic Grave Tone) by Monks of St. Anthony's Greek Orthodox Monastery has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rich Men Have Turned Poor (Enharmonic Grave Tone) being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
At The Beauty, O Theotokos | Apostolos Hill, Liturgia Ensemble | E♭ Major | 1 | 5B | 97 BPM | ||
Bicentennial Troparion of All Saints of North America (Tone 8) | St. Symeon Orthodox Church Ensemble "Antiphony" | D♭ Major | 2 | 3B | 123 BPM | ||
Simeron i Parthenos tiktei | Fr. Nikodimos Kabarnos | A♭ Major | 2 | 4B | 73 BPM | ||
Rejoice, Life-giving Cross (Byzantine Chant, Tone 5, Special Melody "Rejoice") | St. Symeon Orthodox Church Ensemble "Antiphony" | E♭ Major | 7 | 5B | 160 BPM | ||
Lamentatio | Chants From the Holyland- Graz Gregorian Chants School of Austri | F♯ Minor | 1 | 11A | 142 BPM | ||
Angelus Mass, Psalm 22 | Choir of Beirut | D Minor | 1 | 7A | 73 BPM | ||
Tractus, Regina Caeli Solemne | Choir of Beirut | F Major | 0 | 7B | 124 BPM | ||
Simeon Cried Out | Men's Choir of the Valaam Singing Culture Institute | F Minor | 0 | 4A | 76 BPM | ||
Part De Mal | Kalenda Maya | E♭ Minor | 3 | 2A | 94 BPM | ||
The Sinful Soul | The Sirin Choir, Choirmaster: Andrey Kotov | G Major | 0 | 9B | 84 BPM |